Alongside Audio Description, on this blog we have often highlighted the increasing popularity of audio in general. For example, Australia’s recent audio festival and the practice of ‘audiobooking’ Netflix shows.
This trend appears to have spread to social media, as a recent ABC article explores the growth of audio-only platform Clubhouse in the context of the pandemic.
Clubhouse is a drop-in audio chat hub that describes itself as “a new type of social network based on voice—where people around the world come together to talk, listen and learn from each other in real-time.” Currently invite-only, the platform has been gaining momentum as more and more people join up.
In an age of working from home, where furniture outlets are selling fake bookshelves to make people look good on Zoom calls, audio-only is a relief.
To celebrate their 30th anniversary, audio specialists Eardrum have commissioned 30 artists, thinkers, and entertainers to release a new piece of audio each day of September. The result is Earfest 2020: Australia’s first audio festival.
“[W]e guarantee you the best seat in the theatre of your mind.”
With participants including comedians, musicians, poets and actors, the lineup promises a treat for sound-lovers everywhere. ARIA winning singer/songwriter Ruel, Cold Chisel guitarist Ian Moss, and satirist John Safran are just the beginning. You can find the full list of performers here.
“Covid-19 has devastated the art’s sector. This Festival allows us to celebrate the power of audio but more importantly support those with the skills to harness it at the time they need it most.”
Ralph van Dijk, Eardrum founder
To participate, you just need to register your name and email address on the festival website. Each day of September, they will release a new piece of audio and email you the link.
Admission is free, but they invite donations to The Shepherd Centre, raising money for hearing impaired children.
Online arts activities, such as virtual tours of galleries, museums and other landmarks, have become increasingly popular in the last few months due to the spread of coronavirus. However, not all of these activities are fully accessible or audio described.
“Enjoy Audio Described film or head on an Audio Described tour of famous landmarks, galleries and artworks without paying a cent or getting up from your couch!”
The links include audio described content from Australia, Taiwan, Iran and the UK.
The authors invite readers to share any further resources, so please contribute if you know of any others!
How did you find your Audio Described tour? Have you stumbled across an Audio Described finding that can be enjoyed at home? We would love if you shared it with us. Flick us an email, or send us a message on our Facebook or Instagram.
A core area of interest for the Curtin research team behind this website has been the potential benefits of audio description (AD) for television viewers who do not necessarily identify as blind or vision-impaired. To find out more, we surveyed various focus groups including audio book readers, parents of young children, people with autism, film students, and everyday television fans.
In our report we noted that “sighted participants were largely unaware of AD and had ‘no idea’ it could also be of use to sighted people.” However, “once they were made aware, sighted participants expressed interest in using the service and showed a preference for higher quality AD” (2019, p.73).
As millions of people around the world are confined to their homes during the COVID-19 pandemic, the potential benefits of audio description for mainstream audiences have become even more important.
Our focus group participants found audio description useful in a variety of domestic settings, especially multitasking while performing daily activities such as cooking, crafting, playing music, or caring for children. With schools closed and many people working from home, tools that assist with multitasking are more valuable than ever.
There are increasing signs that people in lockdown would benefit from audio description. A recent article by Akriti Rana for TechPP suggests that AD is useful for “audiobooking” Netflix content during quarantine:
“[S]ometimes, it is just not possible to keep your eyes on the screen – you might have some chores, you might actually be working on something and so on […] Fortunately, there is a way around this. Your can actually listen to the Netflix show or film just as you would an audiobook – compete with descriptions, music, and dialogue, allowing you to visualise the action, even if you are not in a position to watch it.”
The article includes detailed instructions on how to access AD through Netflix and an explanation of its origins:
“[AD] was initially designed to help the visually challenged experience the Netflix universe, but it is just fine for those times when you simply cannot sit and veg-out in front of your TV but cannot wait to know what happens next either.”
This kind of article provides a valuable service by raising public awareness of audio description. It also illustrates how world events are impacting mainstream consumption of media. AD makes film and television more accessible for everyone, which is crucial in our changing world.
As many are now observing, the enforced isolation of the general public is highlighting issues that people with disability have been dealing with for a long time.
“[T]he coronavirus pandemic has brought into sharp focus the critical importance of digital communication for businesses to run smoothly during this period, and its importance in allowing those staying at home to remain connected with friends and family, deterring loneliness. The value we see in digital communications must apply to people with disabilities, too. We must ensure going forward that websites and digital media are fully accessible, and that captioning and audio description become the norm, not the exception, so that people with disabilities can enjoy the very same benefits we’re experiencing right now.”
Earlier this year, Lifehacker published an interesting article by Emily Price that highlights the potential mainstream benefits of audio description. It goes beyond traditional stationary television ‘viewing’ to consider the role of audio description in an increasingly mobile digital world.
Sure, you’ve heard of binge-watching shows on Netflix, but how about binge listening?
Netflix has a category of programs that it offers audio descriptions for, where a voiceover explains to you what characters are doing in a scene. With it you can listen to shows rather than watch them, essentially transforming them into something like an audiobook or podcast you can stream while you’re out for a walk or when you’re in bed at night trying to fall asleep.
Price explains that:
I’ve tried it out with a few shows and the descriptions are actually pretty great. Stranger Things may have just become the soundtrack to my morning dog walks.
In essence, the feature will turn Netflix content into an audiobook so you can keep up with your favourite shows and movies even if you can’t sit down to watch them.
This ‘hack’ was also featured in articles on websites like FHM and Brobible.
Somewhat predictably, FHM frames audio description as a sneaky way to enjoy your favourite shows and films when you are supposed to be doing other things.
We’re not suggesting you do this every day, but should there be a time (or two) during the week when you’re particularly hungover (or simply don’t give a crap about your career) and you want to distract yourself from the bleak reality of office life, we’ve got the perfect way to do it: Netflix audiobooks!